November 21, 2007

From the top of the tower

Here's much more on Beowulf, this time a razor-sharp piece by Gary Kamiya, who seems to really understand some important things.

Robert Zemeckis' new film "Beowulf" gives a whole new meaning to the phrase "the sublime and the ridiculous." Zemeckis took the oldest and most important text of our ur-language, and turned it into a 3-D Disneyland ride so cheesy he should have called it "Anglo-Saxons of the Caribbean." Of course, there's nothing new or surprising about this. Hollywood has been profaning history and literature since long before Cecil B. DeMille cast Charlton Heston as Moses. If the Bible isn't sacred, why should the oldest poem in our ancestral language be?

But the "Beowulf" travesty is especially glaring, because of the obvious contrast with another work that mined the same ancient field: J.R.R. Tolkien's "The Lord of the Rings." "Beowulf" isn't just a bad, although visually spectacular, movie, it's a huge missed opportunity. With enough imaginative audacity, Zemeckis could have created a mythical universe, one that finds the mysterious threads that connect the distant past to our time. Instead, he turned our shared cultural heritage into a cartoon.

[...]

"Beowulf" doesn't fail because it changes the story: It fails because it is so busy juicing up the story that it does not create a mythical universe. It has no transfiguring vision. It seizes upon an ancient tale, whose invisible roots run deep into our psyches, and uses it to construct a shiny, plastic entertainment. It takes a wild fable and turns it into a tame story. But "Beowulf" is the kind of story that is meaningless unless it is part of a cosmology. It is, in short, a myth.

J.R.R. Tolkien, the author who created the most powerful mythical universe of our time, was also a renowned "Beowulf" scholar. "The Lord of the Rings" was heavily influenced by the poem, and Tolkien wrote what is still one of the seminal essays about it. Tolkien's analysis of "Beowulf," and more generally of fantasy and myth, illuminate both why he was able to create a modern mythopoeic masterpiece, and why "Beowulf" falls flat.

Read the whole thing.

Posted by Alan at November 21, 2007 12:06 PM